<%@LANGUAGE="JAVASCRIPT" CODEPAGE="1252"%> New York Times Art Review
   
     
 

ART REVIEW

Sampling Brooklyn, Keeper of Eclectic Flames

By HOLLAND COTTER
Published: January 23, 2004 (excerpt)



Ward Shelley living behind a wall at Pierogi.

Williamsburg Solo Shows

Spontaneity and confinement both play roles in one of the odder one-man shows of the season so far, Ward Shelley's "We Have Mice" at Pierogi. This Brooklyn artist gained attention when he and some colleagues built a full-scale live-in version of the Mir space station from plywood and plastic a few years ago. For his current solo he has taken up a month's residence in Pierogi, though it's unlikely you'll see him there: he is living in passageways behind and between the walls.


He has equipped these tight quarters with a computer station, a work table, a bed and an enclosed overhead bridge to the gallery's bathroom. He spends most of his time on the premises making art. Video monitors in the gallery carry live feeds of his activities; new work keeps showing up behind little doors in the walls.

There are plenty of precedents for Mr. Shelley's self-immurement. Vito Acconci and Chris Burden come immediately to mind, though the obsessiveness and masochism that marked their work have little to do with his. "We Have Mice" is basically a wacky fantasy about how the average artist can keep working and living in a city priced way beyond his means by taking the irrepressible urban rodent as a model. And like a mouse, Mr. Shelley leaves his burrow periodically, usually at night, "to forage for food, materials and mating opportunities."